MAYBE WE SHOULD ALL HAVE BEEN THERE THEN

Last week Andrew Cracknell took all of us here at BMB to New York and back.

Well, 1960s New York to be precise, with a very inspiring talk about his book The Real Mad Men.

His yellow cab took us through New York’s cultural history since the fifities – from the changing relationship between art directors and copywriters, to the ads that changed the world – from Think Small to ‘Chick’.

Overall, the message he impressed on half the agency was this: just because Mad Men is about events fifty years ago, its lessons – persuasion, power of narrative, simplicity, creative responsibility – are just important today, if not more so.

If you’ve not read the book already, it’s a wonderful read which takes you back to the alleged ‘golden age’ of advertising. I have to confess that we read it a year ago and have been meaning to write about it ever since – oops – sorry Andrew! I do remember very much liking his sentimental scribble in the front of my copy though – the words, ‘Maybe we should all have been there then’. Which in fairness, probably rings true more for the blokes among us than for Nat and I – who would have no doubt ended up as overweight housewives or bored secretaries.

Incidentally, Andrew is mad keen to do his talk again, and is currently available for agency lunchtime lectures, weddings and barmitzvahs, as they say.

 

Suburban Banksy and foreign supermarkets…

…are just two of our favourite things.

At the end of last year we were asked to write a piece for the IPA about what inspires us.

Which was very flattering. The only snag was that, work being work, we didn’t have very long to do it in. So mine (Lol) ended up about six pages too long. But as Pascale and every great rambler knows, it takes a lot longer to write short things than it does long things!

Not only that, for some unholy reason I have left out two of my favourite screenwriters…

1) Aaron Sorkin – the patron saint of razorsharp dialogue. Although he’s most known for The Social Network, his best work (in my humble opinion) is Studio 60 on the Sunset Strip. Get the box set if you’ve not seen it!

2) Bruce Robinson, the brilliant brilliant writer of How to get a head in advertising and Withnail and I. I really recommend reading the screenplay – it’s astonishingly written, and there are even more hidden gems in his stage directions.

All disclaimers aside, for anyone that’s interested, here is our piece on what inspires us as a team.

Thank you and a belated happy new year one and all…

L & N x

BEFORE THEY WERE FAMOUS: COMING SOON

 

Finally we are able to talk about this – Nat and I are setting up a website called ‘Before they were famous’.

It’s a peek into the student portfolios of the world’s most successful creatives.

We’re launching it as we’ve just taken over as ‘Placement Scouts’ here at BMB.

So. We want to see the silly, the quirky, and the ludicrous work that people had in the student books they graduated with.

We think it’ll be very entertaining to see what the head honchoes of the industry’s student books looked like.

We want to show young creatives that everyone starts somewhere.

It’s proving challenging to get hold of them all, but John Allison has kicked things off with he and Chris’ RUDDY WONDERFUL first book here. 

Of this, and all the other ones we’ve seen, the one thing that sticks out is how QUICK they are to look at.

The work speaks for itself.

None of this ‘watch the case study here, oh hang on it’s just loading, oh, f**king Vimeo’, and ‘here’s the social media gubbins’. Just simple, brilliant strategies that jump off the page at you. Of course, we’ve had to all readdress the way we look at books now because of the Internets – and that’s often a good thing too – but it does make you think how simple it was back then.

So get up in the attic, dust off the cobwebs, scan them in and get submitting to Nathalie.turton@bmbagency.com

Then, once we’ve collated them all, the best will be forever enshrined in the hall of fame/shame (delete as applicable).

One final thing. Another deeply Creative mind that we’re looking forward to seeing the early work of is Noel Fielding. Described by his Bucks University Advertising tutor as ‘one sick puppy’, we’re told one of his most memorable scamps was one for Jaffa Cakes that read ‘Kiss My Eyes.’

If you’ve got one better than that, please send them in.