‘CREATIVE WRITING’ – (FUNNY WOMEN AWARDS FINALIST TOP 3 COMEDY SHORTS 2022)

Lola is typing…

(Strap in!)

‘Creative Writing 2:1’ is a new 5 min comedy short about the horrors of modern love directed by Peter Lydon.

It stars Lola-  a hapless dreamer previously seen in LIFE IN ADHD (best web series nominee Edinburgh TV Fest New Voice Awards). In previous sketches we see her try to leave the house – ‘Filling’; try to meet a pal for a drink – ‘Russian Doll’; try to commute – ‘The World is not your oyster.’  In ‘Creative Writing’ we see her try to write a text. 

With Tik Tok/Linked in fave Rob Mayhew, Lou Taylor, Yasser Kayani, Ryan Duke, Jessica Chamberlain, writer Lorelei Mathias, Ch’lu (Camilla Mathias) and Tom Wragg. 

Thank you to David Reviews for this lovely 5 star review and for giving it pick of the day!

‘Pick of the day’, David Reviews


A Melon Comedy production

Written by: Lorelei Mathias Directed by, Story-edited, & Co-produced by: Peter Lydon

Starred: Lola: Lorelei Mathias Tutor: Ch’Lu (Camilla Mathias) Susan: Lou Taylor Alan: Tom Wragg Emily: Jessica Chamberlain Gabriel: Ryan Duke Yasser: Yasser Kayani Rob: Rob Mayhew

Cinematography: Matthew Riley Sound: Xan Marquez Camera Assist: James Abbott Editor: Elyse Raphael Online Editor: Ben Watson Sound Mixer: Ben Gulvin Colourist: Chris Bell Music: Sacha Puttnam Producers: Nicole Selwyn Lorelei Mathias Peter Lydon Exec Producer: Lorelei Mathias Additional dialogue: Peter Lydon & cast members Director: Peter Lydon

Thanks to Tony Hollingsworth, London Comedy Writers, Holly Hall & Jess Chamberlain, Emmy McMorrow, Lauren Laroth (Taylor)

More sketches at MelonComedy.com More Lola at Loreleimathias.com/LifeInADHD

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I Am a Mermaid… HELP – Introducing ‘The Litter Mermaid” – my Comedy Short

My Comedy Short, ‘The Litter Mermaid’ is the story of the plastic crisis in our seas, and the impact it is having on the mermaid community and their King. You can watch the trailer here.

Thank you to everyone that helped make this – From the old friend I’d known since I was 21 who literally IS a mermaid, the beautiful Lisa, to the new friends that stepped straight off of Ramsay Street to produce and crew the thing up thanks to Brendan… to my genius housemate Michelle who dressed the set and the entire mythological population on nothing but a fin-string and made ‘spoofy condoms’ out of mayo.

I was blown away the next day when I was out walking with my adorable nephew in Brighton Beach, just a few shores down from Elwood where we’d wrapped 12 hours before…and we were playing the ‘hunt the lost flip-flop’ game that I often play as someone with ADHD who sunbathes on boardwalks – when we both looked down and saw this freakish message, carved into the rocks. ‘I AM A MERMAID. HELP.’ Of all the rocks in all the world… it really did seem like someone out there was ‘winking’ at us. or that the seas really have reached peak Plastic and they’re sending us a message… in  a plastic bottle.

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Alana speaks… Literally stumbled across this the day after shooting the film, in Elwood/Brighton Beach. Truly, the seas are trying to tell us something.

What’s it about? It’s about some mythical creatures who very much DO NOT want to be where the people are…

King Neptune and his team have been glorified maids of the sea for long enough, they’ve got zero job satisfaction and they are over it. Soon there’ll be more plastic than fish… but do the Human Resources department give a cr*p? Find out in The Litter Mermaid – a comedy about plastic, a tragedy about our world, and the melancholy fact that there’s now an island of plastic the size of France in our oceans.  Shot on location in Elwood Beach, Melbourne it’s the next film under fledgling channel Melon Comedy. 

It features shocking new footage of polluted oceans in Indonesia, from Rich Horner The Rubbish Diver,  and with a cast & crew from Melbourne, London & Bali’s Comedy scene, and a cameo from my aquatic alter ego, mermaid Loreley.

See the full film here: s https://www.chortle.co.uk/video/2019/04/22/42861/the-litter-mermaid

Full Cast & Credits:

Dave Callan as Neptune
Lisa Fineberg as Alana
Pam Rana as Human Resources 1
Jonathan Schuster as Human Resources 2
Urvi Majumder as Ariel
Lorelei Mathias as Loreley
and introducing Monty The Manta-ray, and the Balinese Jellyfish

Executive Producer Brendan Geaney
Associate Producer Emmy McMorrow
Editor Claire McGonagil
Sound Design Brendan Geaney
Director of Photography Oscar Beltran Cuba
First Assistant Director Julian Breheny
Assistant Producers Brendan Geany
Production Manager Andrew Keane
Art Direction & Wardrobe Michelle Harrington
Camera Assistant/B-Cam Samuel Wong
Sound Kristian Pilsko
Boom Operator/Runner Terry Shepherd
Post – Kyra Hendrix, Significant Other New York
Hair & Make-up Hannah Williams
First Assistant Director Julian Breany
Production Manager Andrew Keane
Driver Jeremy Densley
Catering Palmer & Pot

Written & Directed by Lorelei Mathias. Additional dialogue by the cast, Anthony Noack, and John Campbell.
Composer, musician & vocalist & original score ‘This Time That Is Mine – Alana’s Lament’ by Camilla Mathias.

THE UNBEARABLE LIGHTNESS OF BEING DUMPED (and why you’re never better off being the one to end it)

IMG_3234Reader, he dumped me must surely be four of the happiest of words in the English language.

Stay with me.

For there is a stringent mathematical reasoning to what I’m about to say.

Having spent the last few years working on a novel all about the comedy (yes, comedy!) of break-ups, I’ve become something of a connoisseur on the matter. And I can honestly confirm that contrary to received opinion, being dumped is far, far greater thing than being the dumper. So if you’re currently mourning a break-up that wasn’t your decision, and you’re about to embark on Valentines’-Day on your tod, then here’s something that might make you feel better.

Of course, it’s no picnic, being the dumpee. Someone’s just glibly ripped your heart through your bottom, and you didn’t see it coming.

But then, as time goes on, there’s something infinitely worse about being the dumper. When the grief really sets in, then boy are you in trouble. Because you have yourself to blame for the pain, on top of the pain. You’ll be like, I wish to god I could blame him for the way that I feel, but I can’t because – I inflicted this pain on myself! I’m such a dickhead!’

When you break up with someone that you still love dearly but you know it’s just not right, or you’ve suddenly realised you’re about as compatible as Gregorian chant and deep house, then…well, that’s the hardest kind of breakup ever. (Of course, if at the time of dumping, you feel no love for your ex, only hatred and utter disdain – then, you’re going to be just fine and you need not read on.)

So at the risk of going a bit Carol Vorderman on your asses, I’ve decided that what the world needs is a mathematical formula for break-ups.

Now, I’m no maths bod (as a youth I used to weep over my maths homework), but I did get forced to do a module of logic in my second year of Philosophy at university. Which consisted of breaking arguments down into their simplest forms and working things out with them. So, here is my theory of breakups presented as a Logic problem. (Eat your heart out, Prof Kripke…)

If P is pain, X is your X, and D is you, the dumper, and L is how much you love the person, then the formula for how depressed you feel (S) is as follows.*

S = (P÷ L) x D (to the power of L)

Whereas, if you’re simply dumped the formula is much simpler. It’s simply

s = P ÷ L

So, the good news is, in the long run, the value of S is always going to be lower when you were dumped. Hurrah!

Plus the fact: If you have been dumped, you won’t have yourself to blame when the inevitable game-show parade of ‘HERE’S WHAT YOU COULD HAVE WON’ starts up and they start to digitally maraud that they’ve whisked their new girlfriend away for the weekend and so on. When the ex suddenly gets their shit together and become someone else’s model boyfriend, it’s a little like when you’ve been trying to get a jar of marmalade open and one lucky bugger goes last and just gets it open. You want to shout ‘I loosened it up for them, really!’ but of course you don’t, because you’re not (that) mental.

That said, seeing your ex doing really well in Life After You is a fantastic thing because it actually means you did the right thing in ending it! Yes! Seeing the ex-love-of-your-life shine without you just goes to show you didn’t bring out the best in each other the way someone else could. Someone might be a commitment phobe with one person, and Romeo-on-heat with another. Here comes another watertight mathematical proof: every relationship we have is just a dress rehearsal, shaping you up for the right one. A training course. The only trouble is, we’ve no idea how long it’s for – or when you’ll eventually graduate with honours.

Wringing the last drop out of the mathsy theme here, my friend Rick has a theory about relationships, that they can all be classified according to different ‘sentences.’ And as you go on, many of them fall by the wayside after three months. But others, they might blossom into being either a six-monther, one year, two years, five years… or… life. Sometimes you may have a two year-er that’s ‘gone long’ or ‘gone wrong,’, but very rarely do relationships end at a different stage.

All relationships – friendly and romantic ones – are there for either a reason, a season or a lifetime. So next time you break up with someone, whether you’re the dumper or dumpee (if you’re very lucky) realise that really, all that’s happening is that you’ve lived out your sentence. You weren’t ‘lifers’.
** It feels pressing to point out now that my Logic module was over 15 years ago, and I can’t be held responsible if this is all in fact tosh.

Enjoyed this?
Read some more break-up wisdom in Break-Up Club the novel – http://www.breakupclub.co.uk/<img

src=”https://loreleimathias.files.wordpress.com/2018/02/break-up-club-packshot.png” alt=”break-up-club-packshot.png” width=”150″ height=”150″ class=”alignnone size-full wp-image-5284″/>

Follow me on Twitter @loreleimathias

 

(Thanks Pure Evil for the street Art)